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Inside The
Cover
Kathy Reichs blasts into Patricia Cornwell territory -- and onto the New York Times bestseller list -- with this critically acclaimed debut novel inspired by Reichs' own career. Dr. Temperance Brennan, the wry, impassioned director of forensic anthropology for the province of Quebec, is driven to unravel shocking acts of violence by reading the bones of the dead.
In the year since Tempe left behind a shaky marriage in North Carolina, work has often preempted her weekend plans to explore Quebec. But when an unidentified female corpse is discovered meticulously dismembered and stashed in garbage bags, Tempe detects an alarming pattern within the grisly handiwork -- and her professional detachment gives way to a harrowing search for a killer in the city's winding streets. With little help from the police, Tempe calls on her expertise, honed in the isolated intensity of the autopsy suite, to investigate on her own. But her determined chase is about to place those closest to her -- her best friend and her daughter -- in mortal danger....
From Chapter 1
I WASN'T THINKING ABOUT THE MAN WHO'D BLOWN HIMSELF UP. Earlier I had. Now I was putting him together. Two sections of skull lay in front of me, and a third jutted from a sand-filled stainless steel bowl, the glue still drying on its reassembled fragments. Enough bone to confirm identity. The coroner would be pleased.
It was late afternoon, Thursday, June 2, 1994. While the glue set, my mind had gone truant. The knock that would break my reverie, tip my life off course, and alter my comprehension of the bounds of human depravity wouldn't come for another ten minutes. I was enjoying my view of the St. Lawrence, the sole advantage of my cramped corner office. Somehow the sight of water has always rejuvenated me, especially when it flows rhythmically. Forget Golden Pond. I'm sure Freud could have run with that.
My thoughts meandered to the upcoming weekend. I had a trip to Quebec City in mind, but my plans were vague. I thought of visiting the Plains of Abraham, eating mussels and crepes, and buying trinkets from the street vendors. Escape in tourism. I'd been in Montreal a full year, working as forensic anthropologist for the province, but I hadn't been up there yet, so it seemed like a good program. I needed a couple of days without skeletons, decomposed bodies, or corpses freshly dragged from the river.
Ideas come easily to me, enacting them comes harder. I usually let things go. Perhaps it's an escape hatch, my way of allowing myself to double back and ease out the side door on a lot of my schemes. Irresolute about my social life, obsessive in my work.
I knew he was standing there before the knock. Though he moved quietly for a man of his bulk, the smell of old pipe tobacco gave him away. Pierre LaManche had been director of the Laboratoire de Médecine Légale for almost two decades. His visits to my office were never social, and I suspected that his news wouldn't be good. LaManche tapped the door softly with his knuckles.
"Temperance?" It rhymed with France. He would not use the shortened version. Perhaps to his ear it just didn't translate. Perhaps he'd had a bad experience in Arizona. He, alone, did not call me Tempe.
"Oui?" After months, it was automatic. I had arrived in Montreal thinking myself fluent in French, but I hadn't counted on Le Français Québecois. I was learning, but slowly.
"I have just had a call." He glanced at a pink telephone slip he was holding. Everything about his face was vertical, the lines and folds moving from high to low, paralleling the long, straight nose and ears. The plan was pure basset hound. It was a face that had probably looked old in youth, its arrangement only deepening with time. I couldn't have guessed his age.
"Two Hydro-Quebec workers found some bones today." He studied my face, which was not happy. His eyes returned to the pink paper.
"They are close to the site where the historic burials were found last summer," he said in his proper, formal French. I'd never heard him use a contraction. No slang or police jargon. "You were there. It is probably more of the same. I need someone to go out there to confirm that this is not a coroner case."
When he glanced up from the paper, the change in angle caused the furrows and creases to deepen, sucking in the afternoon light, as a black hole draws in matter. He made an attempt at a gaunt smile and four crevices veered north.
"You think it's archaeological?" I was stalling. A scene search had not been in my pre-weekend plans. To leave the next day I still had to pick up the dry cleaning, do the laundry, stop at the pharmacy, pack, put oil in the car, and explain cat care to Winston, the caretaker at my building.
He nodded.
"Okay." It was not okay.
He handed me the slip. "Do you want a squad car to take you there?" I looked at him, trying hard for baleful. "No, I drove in today." I read the address. It was close to home. "I'll find it."
He left as silently as he'd come. Pierre LaManche favored crepe-soled shoes, kept his pockets empty so nothing jangled or swished. Like a croc in a river he arrived and departed unannounced by auditory cues. Some of the staff found it unnerving.
I packed a set of coveralls in a backpack with my rubber boots, hoping I wouldn't need either, and grabbed my laptop, briefcase, and the embroidered canteen cover that was serving as that season's purse. I was still promising myself that I wouldn't be back until Monday, but another voice in my head was intruding, insisting otherwise.
Inside The Cover
Forensic anthropologist Kathy Reichs exploded onto bestseller lists worldwide with her phenomenal debut novel Déjà Dead -- and introduced "[a] brilliant heroine" (Glamour) in league with Patricia Cornwell's Kay Scarpetta. Dr. Temperance Brennan, Quebec's director of forensic anthropology, now returns in a thrilling new investigation into the secrets of the dead.
In the bitter cold of a Montreal winter, Tempe Brennan is digging for a corpse buried more than a century ago. Although Tempe thrives on such enigmas from the past, it's a chain of contemporary deaths and disappearances that has seized her attention -- and she alone is ideally placed to make a chilling connection among the seemingly unrelated events. At the crime scene, at the morgue, and in the lab, Tempe probes a mystery that sweeps from a deadly Quebec fire to startling discoveries in the Carolinas, and culminates in Montreal with a terrifying showdown -- a nerve-shattering test of both her forensic expertise and her skills for survival.
From Chapter 1
If the bodies were there, I couldn't find them.
Outside, the wind howled. Inside the old church, just the scrape of my trowel and the hum of a portable generator and heater echoed eerily in the huge space. High above, branches scratched against boarded windows, gnarled fingers on plywood blackboards.
The group stood behind me, huddled but not touching, fingers curled tightly in pockets. I could hear the shifting from side to side, the lifting of one foot, then the other. Boots made a crunching sound on the frozen ground. No one spoke. The cold had numbed us into silence.
I watched a cone of earth disappear through quarter-inch mesh as I spread it gently with my trowel. The granular subsoil had been a pleasant surprise. Given the surface, I had expected permafrost the entire depth of the excavation. The last two weeks had been unseasonably warm in Quebec, however, allowing snow to melt and ground to thaw. Typical Tempe luck. Though the tickle of spring had been blown away by another arctic blast, the mild spell had left the dirt soft and easy to dig. Good. Last night the temperature had dropped to seven degrees Fahrenheit. Not good. While the ground had not refrozen, the air was frigid. My fingers were so cold I could hardly bend them.
We were digging our second trench. Still nothing but pebbles and rock fragments in the screen. I didn't anticipate much at this depth, but you could never tell. I'd yet to do an exhumation that had gone as planned.
I turned to a man in a black parka and a tuque on his head. He wore leather boots laced to the knee, two pairs of socks rolled over the tops. His face was the color of tomato soup.
"Just a few more inches." I gave a palm-down gesture, like stroking a cat. Slowly. Go slowly.
The man nodded, then thrust his long-handled spade into the shallow trench, grunting like Monica Seles on a first serve.
"Par pouces!" I yelped, grabbing the shovel. By inches! I repeated the slicing motion I'd been showing him all morning. "We want to take it down in thin layers." I said it again, in slow, careful French.
The man clearly did not share my sentiment. Maybe it was the tediousness of the task, maybe the thought of unearthing the dead. Tomato soup just wanted to be done and gone.
"Please, Guy, try again?" said a male voice behind me.
"Yes, Father." Mumbled.
Guy resumed, shaking his head, but skimming the soil as I'd shown him, then tossing it into the screen. I shifted my gaze from the black dirt to the pit itself, watching for signs that we were nearing a burial.
We'd been at it for hours, and I could sense tension behind me. The nuns' rocking had increased in tempo. I turned to give the group what I hoped was a reassuring look. My lips were so stiff it was hard to tell.
Six faces looked back at me, pinched from cold and anxiousness. A small cloud of vapor appeared and dissolved in front of each. Six smiles in my direction. I could sense a lot of praying going on.
Ninety minutes later we were five feet down. Like the first, this pit had produced only soil. I was certain I had frostbite in every toe, and Guy was ready to bring in a backhoe. Time to regroup.
"Father, I think we need to check the burial records again."
He hesitated a moment. Then, "Yes. Of course. Of course. And we could all use coffee and a sandwich."
The priest started toward a set of wooden doors at the far end of the abandoned church and the nuns followed, heads down, gingerly navigating the lumpy ground. Their white veils spread in identical arcs across the backs of their black wool coats.
Penguins. Who'd said that? The Blues Brothers.
I turned off the mobile spotlights and fell in step, eyes to the ground, amazed at the fragments of bone embedded in the dirt floor. Great. We'd dug in the one spot in the entire church that didn't contain burials.
Father Ménard pushed open one of the doors and, single file, we exited to daylight. Our eyes needed little adjustment. The sky was leaden and seemed to hug the spires and towers of all the buildings in the convent's compound. A raw wind blew off the Laurentians, flapping collars and veils.
Our little group bent against the wind and crossed to an adjacent building, gray stone like the church, but smaller. We climbed steps to an ornately carved wooden porch and entered through a side door.
Inside, the air was warm and dry, pleasant after the bitter cold. I smelled tea and mothballs and years of fried food.
Wordlessly, the women removed their boots, smiled at me one by one, and disappeared through a door-way to the right just as a tiny nun in an enormous ski sweater shuffled into the foyer. Fuzzy brown reindeer leaped across her chest and disappeared beneath her veil. She blinked at me through thick lenses and reached for my parka. I hesitated, afraid its weight would tip her off balance and send her crashing to the tile. She nodded sharply and urged me with upturned fingertips, so I slipped the jacket off, laid it across her arms, and added cap and gloves. She was the oldest woman that I had ever seen still breathing.
I followed Father Ménard down a long, poorly lit hallway into a small study. Here the air smelled of old paper and schoolhouse paste. A crucifix loomed over a desk so large I wondered how they'd gotten it through the door. Dark oak paneling rose almost to the ceiling. Statues stared down from the room's upper edge, faces somber as the figure on the crucifix.
Father Ménard took one of two wooden chairs facing the desk, gestured me to the other. The swish of his cassock. The click of his beads. For a moment I was back at St. Barnabas. In Father's office. In trouble again. Stop it, Brennan. You're over forty, a professional. A forensic anthropologist. These people called you because they need your expertise.
The priest retrieved a leather-bound volume from the desktop, opened it to a page with a green ribbon marker, and positioned the book between us. He took a deep breath, pursed his lips, and exhaled through his nose.
I was familiar with the diagram. A grid with rows divided into rectangular plots, some with numbers, some with names. We'd spent hours poring over it the day before, comparing the descriptions and records for the graves with their positions on the grid. Then we'd paced it all off, marking exact locations.
Sister Élisabeth Nicolet was supposed to be in the second row from the church's north wall, third plot from the west end. Right next to Mother Aurélie. But she wasn't. Nor was Aurélie where she should have been.
I pointed to a grave in the same quadrant, but several rows down and to the right. "O.K. Raphael seems to be there." Then down the row. "And Agathe, Véronique, Clément, Marthe, and Eléonore. Those are the burials from the 1840s, right?"
"C'est ça."
I moved my finger to the portion of the diagram corresponding to the southwest corner of the church. "And these are the most recent graves. The markers we found are consistent with your records."
"Yes. Those were the last, just before the church was abandoned."
"It was closed in 1914."
"Nineteen fourteen. Yes, 1914." He had an odd way of repeating words and phrases.
"Élisabeth died in 1888?"
"C'est ça, 1888. Mère Aurélie in 1894."
It didn't make sense. Evidence of the graves should be there. It was clear that artifacts from the 1840 burials remained. A test in that area had produced wood fragments and bits of coffin hardware. In the protected environment inside the church, with that type of soil, I thought the skeletons should be in pretty good shape. So where were Élisabeth and Aurélie?
The old nun shuffled in with a tray of coffee and sandwiches. Steam from the mugs had fogged her glasses, so she moved with short, jerky steps, never lifting her feet from the floor. Father Ménard rose to take the tray.
"Merci, Sister Bernard. This is very kind. Very kind."
The nun nodded and shuffled out, not bothering to clear her lenses. I watched her as I helped myself to coffee. Her shoulders were about as broad as my wrist.
"How old is Sister Bernard?" I asked, reaching for a croissant. Salmon salad and wilted lettuce.
"We're not exactly sure. She was at the convent when I first started coming here as a child, before the war. World War II, that is. Then she went to teach in the foreign missions. She was in Japan for a long time, then Cameroon. We think she's in her nineties." He sipped his coffee. A slurper.
"She was born in a small village in the Saguenay, says she joined the order when she was twelve." Slurp. "Twelve. Records weren't so good in those days in rural Quebec. Not so good."
I took a bite of sandwich then rewrapped my fingers around the coffee mug. Delicious warmth.
"Father, are there any other records? Old letters, documents, anything we haven't looked at?" I wriggled my toes. No sensation. He gestured to the papers littering the desk, shrugged. "This is everything Sister Julienne gave me. She is the convent archivist, you know."
"Yes."
Sister Julienne and I had spoken and corresponded at length. It was she who had initially contacted me about the project. I was intrigued from the outset. This case was very different from my usual forensic work involving the recently dead who end up with the coroner. The archdiocese wanted me to exhume and analyze the remains of a saint. Well, she wasn't really a saint. But that was the point. Élisabeth Nicolet had been proposed for beatification. I was to find her grave and verify that the bones were hers. The saint part was up to the Vatican.
Sister Julienne had assured me that there were good records. All graves in the old church were cataloged and mapped. The last burial had taken place in 1911. The church was abandoned and sealed in 1914 following a fire. A larger one was built to replace it, and the old building was never used again. Closed site. Good documentation. Piece of cake.
So where was Élisabeth Nicolet?
"It might not hurt to ask. Perhaps there's something Sister Julienne didn't give you because she thought it unimportant." He started to say something, changed his mind. "I'm quite sure she's given me everything, but I'll ask. Sister Julienne has spent a great deal of time researching this. A great deal."
I watched him out the door, finished my croissant, then another. I crossed my legs, tucked my feet under me, and rubbed my toes. Good. Feeling was returning. Sipping my coffee, I lifted a letter from the desk.
I'd read it before. August 4, 1885. Smallpox was out of control in Montreal. Élisabeth Nicolet had written to Bishop Édouard Fabre, pleading that he order vaccinations for parishioners who were well, and use of the civic hospital by those who were infected. The handwriting was precise, the French quaint and outdated.
The Convent Notre-Dame de l'Immaculée-Conception was absolutely silent. My mind drifted. I thought of other exhumations. The policeman in St-Gabriel. In that cemetery the coffins had been stacked three deep. We'd finally found Monsieur Beaupré four graves from his recorded location, bottom position, not top. And there was the man in Winston-Salem who wasn't in his own coffin. The occupant was a woman in a long floral dress. That had left the cemetery with a double problem. Where was the deceased? And who was the body in the coffin? The family never was able to rebury Grandpa in Poland, and the lawyers were girding for war when I left.
Far off, I heard a bell toll, then, in the corridor, shuffling. The old nun was heading my way.
"Serviettes," she screeched. I jumped, rocketing coffee onto my sleeve. How could so much volume come from so small a person? "Merci." I reached for the napkins.
She ignored me, closed in, and began scrubbing my sleeve. A tiny hearing aid peeked from her right ear. I could feel her breath and see fine white hairs ringing her chin. She smelled of wool and rose water.
"Eh, voilà. Wash it when you get home. Cold water."
"Yes, Sister." Reflex.
Her eyes fell on the letter in my hand. Fortunately, it was coffee-free. She bent close.
"Élisabeth Nicolet was a great woman. A woman of God. Such purity. Such austerity." Pureté. Austérité. Her French sounded as I imagined Élisabeth's letters would if spoken.
"Yes, Sister." I was nine years old again.
"She will be a saint."
"Yes, Sister. That's why we're trying to find her bones. So they can receive proper treatment." I wasn't sure just what proper treatment was for a saint, but it sounded right.
I pulled out the diagram and showed it to her. "This is the old church." I traced the row along the north wall, and pointed to a rectangle. "This is her grave."
The old nun studied the grid for a very long time, lenses millimeters from the page.
"She's not there," she boomed.
"Excuse me?"
"She's not there." A knobby finger tapped the rectangle. "That's the wrong place."
Father Ménard returned at that moment. With him was a tall nun with heavy black eyebrows that angled together above her nose. The priest introduced Sister Julienne, who raised clasped hands and smiled.
It wasn't necessary to explain what Sister Bernard had said. Undoubtedly they'd heard the old woman while in the corridor. They'd probably heard her in Ottawa.
"That's the wrong place. You're looking in the wrong place," she repeated.
"What do you mean?" asked Sister Julienne.
"They're looking in the wrong place," she repeated. "She's not there."
Father Ménard and I exchanged glances.
"Where is she, Sister?" I asked.
She bent to the diagram once again, then jabbed her finger at the southeast corner of the church. "She's there. With Mère Aurélie."
"But, Sis -- "
"They moved them. Gave them new coffins and put them under a special altar. There."
Again she pointed at the southeast corner.
"When?" we asked simultaneously.
Sister Bernard closed her eyes. The wrinkled old lips moved in silent calculation.
"Nineteen eleven. The year I came here as a novice. I remember, because a few years later the church burned and they boarded it up. It was my job to go in and put flowers on their altar. I didn't like that. Spooky to go in there all alone. But I offered it up to God."
"What happened to the altar?"
"Taken out sometime in the thirties. It's in the Holy Infant Chapel in the new church now." She folded the napkin and began gathering coffee things. "There was a plaque marking those graves, but not anymore. No one goes in there now. Plaque's been gone for years.
Father Ménard and I looked at each other. He gave a slight shrug.
"Sister," I began, "do you think you could show us where Élisabeth's grave is?"
"Bien sûr."
"Now?"
"Why not?" China rattled against china.
"Never mind the dishes," said Father Ménard. "Please, get your coat and boots on, Sister, and we'll walk over."
Ten minutes later we were all back in the old church. The weather had not improved and, if anything, was colder and damper than in the morning. The wind still howled. The branches still tapped.
Sister Bernard picked an unsteady path across the church, Father Ménard and I each gripping an arm. Through the layers of clothing, she felt brittle and weightless.
The nuns followed in their spectator gaggle, Sister Julienne ready with steno pad and pen. Guy hung to the rear. Sister Bernard stopped outside a recess in the southeast corner. She'd added a hand-knitted chartreuse hat over her veil, tied under her chin. We watched her head turn this way and that, searching for markers, getting her bearings. All eyes focused on the one spot of color in the dreary church interior.
I signaled to Guy to reposition a light. Sister Bernard paid no attention. After some time she moved back from the wall. Head left, head right, head left. Up. Down. She checked her position once more, then gouged a line in the dirt with the heel of her boot. Or tried to.
"She's here." The shrill voice echoed off stone walls.
"You're sure?"
"She's here." Sister Bernard did not lack self-assurance.
We all looked at the mark she'd made.
"They're in little coffins. Not like regular ones. They were just bones, so everything fit into small coffins." She held her tiny arms out to indicate a child-size dimension. An arm trembled. Guy focused the light on the spot at her feet.
Father Ménard thanked the ancient nun and asked two of the sisters to help her back to the convent. I watched their retreat. She looked like a child between them, so small that the hem of her coat barely cleared the dirt floor.
I asked Guy to bring the other spotlight to the new location. Then I retrieved my probe from the earlier site, positioned the tip where Sister Bernard had indicated, and pushed on the T-bar handle. No go. This spot was less defrosted. I was using a tile probe to avoid damaging anything underground, and the ball-shaped tip did not pass easily through the partially frozen upper layer. I tried again, harder.
Easy, Brennan. They won't be happy if you shatter a coffin window. Or poke a hole through the good sister's skull. I removed my gloves, wrapped my fingers around the T-bar, and thrust again. This time the surface broke, and I felt the probe slide into the subsoil. Suppressing the urge to hurry, I tested the earth, eyes closed, feeling for minute differences in texture. Less resistance could mean an airspace where something had decomposed. More could mean that a bone or artifact was present underground. Nothing. I withdrew the probe and repeated the process.
On the third try I felt resistance. I withdrew, reinserted six inches to the right. Again, contact. There was something solid not far below the surface.
I gave the priest and nuns a thumbs-up, and asked Guy to bring the screen. Laying aside the probe, I took up a flat-edged shovel and began to strip thin slices of earth. I peeled soil, inch by inch, tossing it into the screen, my eyes moving from the fill to the pit. Within thirty minutes I saw what I was looking for. The last few tosses were dark, black against the red-brown dirt in the screen. I switched from shovel to trowel, bent into the pit, and carefully scraped the floor, removing loose particles and leveling the surface. Almost immediately I could see a dark oval. The stain looked about three feet long. I could only guess at its width since it lay half hidden under unexcavated soil.
"There's something here," I said, straightening. My breath hung in front of my face.
As one, the nuns and priest moved closer and peered into the pit. I outlined the oval with my trowel tip. At that moment Sister Bernard's escort nuns rejoined the flock.
"It could be a burial, though it looks rather small. I've dug a bit to the left, so I'll have to take this portion down." I indicated the spot where I was squatting. "I'll excavate outside the grave itself and work my way down and in. That way we'll have a profile view of the burial as we go. And it's easier on the back to dig that way. An outside trench will also allow us to remove the coffin from the side if we have to."
"What is the stain?" asked a young nun with a face like a Girl Scout.
"When something with a high organic content decays, it leaves the soil much darker. It could be from the wooden coffin, or flowers that were buried with it." I didn't want to explain the decomposition process. "Staining is almost always the first sign of a burial."
Two of the nuns crossed themselves.
"Is it Éthsabeth or Mère Aurélie?" asked an older nun. One of her lower lids did a little dance.
I raised my hands in a "beats me" gesture. Pulling on my gloves, I started troweling the soil over the right half of the stain, expanding the pit outward to expose the oval and a two-foot strip along its right.
Again, the only sounds were scraping and screening. Then,
"Is that something?" The tallest of the nuns pointed to the screen.
I rose to look, grateful for an excuse to stretch.
The nun was indicating a small, reddish-brown fragment.
"You bet your a -- . That sure is, Sister. Looks like coffin wood."
I got a stack of paper bags from my supplies, marked one with the date, location, and other pertinent information, set it in the screen, and laid the others on the ground. My fingers were now completely numb.
"Time to work, ladies. Sister Julienne, you record everything we find. Write it on the bag, and enter it in the log, just as we discussed. We're at" -- I looked into the pit -- "about the two-foot level. Sister Marguerite, you're going to shoot some pictures?" Sister Marguerite nodded, held up her camera.
They flew into action, eager after the long hours of watching. I troweled, Sisters Eyelid and Girl Scout screened. More and more fragments appeared, and before long we could see an outline in the stained soil. Wood. Badly deteriorated. Not good.
Using my trowel and bare hands, I continued to uncover what I hoped was a coffin. Though the temperature was below freezing and all feeling had left my fingers and toes, inside my parka I sweated. Please let this be her, I thought. Now who was praying? As I inched the pit northward, exposing more and more wood, the object expanded in breadth. Slowly, the contour emerged: hexagonal. Coffin shape. It took some effort not to shout "Hallelujah!" Churchy, but unprofessional, I told myself. I teased away earth, handful by handful, until the top of the object was fully exposed. It was a small casket, and I was moving from the foot toward the head. I put down my trowel and reached for a paintbrush. My eyes met those of one of my screeners. I smiled. She smiled. Her right lid did a jitterbug.
I brushed the wooden surface again and again, teasing away decades of encrusted soil. Everyone stopped to watch. Gradually, a raised object emerged on the coffin lid. Just above the widest point. Exactly where a plaque would be. My heart did its own fast dance.
I brushed dirt from the object until it came into focus. It was oval, metallic, with a filigreed edge. Using a toothbrush, I gently cleaned its surface. Letters emerged.
"Sister, could you hand me my flashlight? From the pack?"
Again, they leaned in as one. Penguins at a watering spot. I shone the beam onto the plaque. "Éthsabeth Nicolet -- 1846-1888. Femme contemplative."
"We've got her," I said to no one in particular.
"Hallelujah!" shouted Sister Girl Scout. So much for church etiquette.
For the next two hours we exhumed Élisabeth's remains. The nuns, and even Father Ménard, threw themselves into the task like undergraduates on their first dig. Habits and cassock swirled around me as dirt was screened, bags were filled, labeled, and stacked, and the whole process was captured on film. Guy helped, though still reluctant. It was as odd a crew as I've ever directed.
Removing the casket was not easy. Though it was small, the wood was badly damaged and the coffin interior had filled with dirt, increasing the weight to about ten tons. The side trench had been a good call, though I'd underestimated the space we'd need. We had to expand outward by two feet to allow plywood to slide under the coffin. Eventually, we were able to raise the whole assemblage using woven polypropylene rope.
I set down my cup and said my good-byes. Again. The sisters thanked me, again, smiling through tense faces, nervous already about my findings. They were great smilers.
Father Ménard walked me to my car. It had grown dark and a light snow was falling. The flakes felt strangely hot against my cheeks.
The priest asked once more if I wouldn't prefer to overnight at the convent. The snow sparkled behind him as it drifted in the porch light. Again, I declined. A few last road directions, and I was on my way.
Twenty minutes on the two-lane and I began to regret my decision. The flakes that had floated lazily in my headlights were now slicing across in a steady diagonal curtain. The road and the trees to either side were covered by a membrane of white that was growing more opaque by the second.
I clutched the wheel with both hands, palms clammy inside my gloves. I slowed to forty. Thirty-five. Every few minutes I tested the brakes. While I have been living in Quebec off and on for years, I have never grown accustomed to winter driving. I think of myself as tough, but put me on wheels in snow and I am Princess Chickenheart. I still have the typical Southern reaction to winter storms. Oh. Snow. Then we won't be going out, of course. Les québécois look at me and laugh.
Fear has a redeeming quality. It drives away fatigue. Tired as I was, I stayed alert, teeth clenched, neck craned, muscles rigid. The Eastern Townships Autoroute was a bit better than the back roads, but not much. Lac Memphrémagog to Montreal is normally a two-hour drive. It took me almost four.
I turned up the heat and checked the refrigerator. Bleak. I microzapped a frozen burrito and washed it down with room temperature root beer. Not haute cuisine, but filling.
The luggage I'd dropped off Tuesday night sat unopened in the bedroom. I didn't consider unpacking. Tomorrow. I fell into bed, planning to sleep at least nine hours. The phone woke me in less than four.
"Oui, yes," I mumbled, the linguistic transition now in limbo.
"Temperance. It is Pierre LaManche. I am very sorry to disturb you at this hour."
I waited. In the seven years I'd worked for him, the lab director had never called me at three in the morning.
"I hope things went well at Lac Memphrémagog." He cleared his throat. "I have just had a call from the coroner's office. There is a house fire in St-Jovite. The firefighters are still trying to get it under control. The arson investigators will go in first thing in the morning, and the coroner wants us there." Again the throat. "A neighbor says the residents are at home. Their cars are in the driveway."
"Why do you need me?" I asked in English.
"Apparently the fire is extremely intense. If there are bodies, they will be badly burned. Perhaps reduced to calcined bone and teeth. It could be a difficult recovery."
Damn. Not tomorrow.
"What time?"
"I will come for you at six A.M.?"
"O.K."
"Temperance. It could be a bad one. There were children living there."
I set the alarm for five-thirty.
Bienvenue.
Inside The Cover
Nine-year-old Emily Anne Toussaint is fatally shot on a Montreal street. A North Carolina teenager disappears from her home, and parts of her skeleton are found hundreds of miles away. The shocking deaths propel forensic anthropologist Tempe Brennan from north to south, and deep into a shattering investigation inside the bizarre culture of outlaw motorcycle gangs -- where one misstep could bring disaster for herself or someone she loves. Kathy Reichs¹ astonishing bestseller pulses with cutting-edge scientific know-how -- and the narrative power of an award-winning crime fiction star.
From Chapter One
Her name was Emily Anne. She was nine years old, with black ringlets, long lashes, and caramel-colored skin. Her ears were pierced with tiny gold loops. Her forehead was pierced by two slugs from a Cobra 9-mm semiautomatic.
Claudel and I had worked together in the past, and though he'd come to tolerate, perhaps even appreciate me, one would not infer that from his brusque manner.
"Where's LaManche?" he demanded, glancing at the gurney in front of me, then quickly away.
I said nothing. When Claudel was in one of his moods, I ignored him.
"Has Dr. LaManche arrived?" The detective avoided looking at my greasy gloves.
"It's Saturday, Monsieur Claudel. He doesn't wo -- "
At that moment Michel Charbonneau stuck his head into the room. Through the opening I could hear the whir and clank of the electric door at the back of the building.
"Le cadavre est arrivé," Charbonneau told his partner.
What cadaver? Why were two homicide detectives at the morgue on a Saturday afternoon?
Charbonneau greeted me in English. He was a large man, with spiky hair that resembled a hedgehog's.
"Hey, Doc."
"What's going on?" I asked, pulling off my gloves and lowering my mask.
Claudel answered, his face tense, his eyes cheerless in the harsh fluorescent light.
"Dr. LaManche will be here shortly. He can explain."
Already sweat glistened on his forehead, and his mouth was compressed into a thin, tight line. Claudel detested autopsies and avoided the morgue as much as possible. Without another word he pulled the door wide and brushed past his partner. Charbonneau watched him walk down the corridor, then turned back to me.
"This is hard for him. He has kids."
"Kids?" I felt something cold in my chest.
"The Heathens struck this morning. Ever hear of Richard Marcotte?"
The name was vaguely familiar.
"Maybe you know him as Araignée. Spider." He curled his fingers like a child doing the waterspout rhyme. "Great guy. And an elected official in the outlaw biker set. Spider is the Vipers sergeant at arms, but he had a real bad day today. When he set out for the gym around eight this morning the Heathens blasted him in a drive-by while his ole lady dove for cover in a lilac bush." Charbonneau ran a hand backward through his hair, swallowed.
I waited.
"In the process they also killed a child."
"Oh, God." My fingers tightened around the gloves.
"A little girl. They took her to the Montréal Children's Hospital, but she didn't make it. They're bringing her here now. Marcotte was DOA. He's out back."
"LaManche is coming in?"
Charbonneau nodded.
The five pathologists at the lab take turns being on call. Rarely does it happen, but if an off-hours autopsy or visit to a death scene is deemed necessary, someone is always available. Today that was LaManche.
A child. I could feel the familiar surge of emotions and needed to get away.
My watch said twelve-forty. I tore off my plastic apron, balled it together with the mask and latex gloves, and threw everything into a biological waste container. Then I washed my hands and rode the elevator to the twelfth floor.
I don't know how long I sat in my office, staring at the St. Lawrence and ignoring my carton of yogurt. At one point I thought I heard LaManche's door, then the swish of the glass security doors that separate portions of our wing.
Being a forensic anthropologist, I've developed some immunity to violent death. Since the medical examiner turns to me to derive information from the bones of the mutilated, burned, or decomposed, I've seen the worst. My workplaces are the morgue and autopsy room, so I know how a corpse looks and smells, how it feels when handled or cut with a scalpel. I'm accustomed to bloody clothing drying on racks, to the sound of a Stryker saw cutting through bone, to the sight of organs floating in numbered specimen jars.
But I have always been unsettled by the sight of dead children. The shaken baby, the battered toddler, the emaciated child of religious zealots, the preteen victim of a violent pedophile. The violation of young innocents has never failed to agitate and distress me.
Not long ago I had worked a case involving infants, twin boys killed and mutilated. It had been one of the most difficult encounters of my career, and I didn't want to reboard that emotional merry-go-round.
Then again that case had been a source of satisfaction. When the fanatic responsible was locked up and could order no more executions, I felt a genuine sense of having accomplished something good.
I peeled back the cover and stirred the yogurt.
Images of those babies hovered in my mind. I remembered my feelings in the morgue that day, the flashbacks to my infant daughter.
Dear God, why such insanity? The mutilated men I had left downstairs had also died as a result of the current biker war. Don't get despondent, Brennan. Get angry. Get coldly, resolutely angry. Then apply your science to help nail the bastards. "Yep," I agreed with myself aloud.
I finished the yogurt, drained my drink, and headed downstairs.
"What's her name?" I asked.
"Emily Anne Toussaint. She was on her way to dance class."
"Where?"
"Verdun." He tipped his head toward the adjoining room. "LaManche has begun the post."
I slipped past the detective into the autopsy room.
A photographer was taking pictures while the pathologist made notes and shot Polaroid backups.
I watched LaManche grasp a camera by its side handles, then raise and lower it above the body. As the lens moved in and out of focus a small dot blurred then condensed over one of the wounds in the child's forehead. When the perimeter of the dot grew sharp, LaManche depressed the shutter release. A white square slid out and he pulled it free and added it to a collection on the side counter.
Emily Anne's body bore evidence of the intensive effort to save her life. Her head was partly bandaged, but I could see a clear tube protruding from her scalp, inserted to monitor intracranial pressure. An endotracheal tube ran down her throat and into her trachea and esophagus, placed in order to oxygenate the lungs and to block regurgitation from the stomach. Catheters for IV infusion remained in her subclavian, inguinal, and femoral vessels, and the circular white patches for EKG electrodes were still pasted to her chest.
Such a frantic intervention, almost like an assault. I closed my eyes and felt tears burn the backs of my lids.
I dragged my eyes back to the small body. Emily Anne wore nothing but a plastic hospital bracelet. Next to her lay a pale green hospital gown, bundled clothing, a pink backpack, and a pair of high-top red sneakers.
The harsh fluorescent light. The shining steel and tile. The cold, sterile surgical instruments. A little girl did not belong here. When I looked up, LaManche's sad eyes met mine. Though neither of us made reference to what lay on the stainless steel, I knew his thoughts. Another child. Another autopsy in this same room.
Putting a choke hold on my emotions, I described the progress I was making with my own cases, reassembling the corpses of two bikers who'd been blown apart by their own folly, and asked when antemortem medical records would be available. LaManche told me that the files had been requested and should arrive on Monday.
I thanked him and went to resume my own grim task. As I sorted tissue, I remembered my previous day's conversation with LaManche, and wished I were still in the Virginia woods. Was it only yesterday LaManche had called me there? Emily Anne was alive then.
So much can change in twenty-four hours.
Inside The Cover
KATHY REICHS, whom Ann Rule calls "in a class by herself," burst onto the publishing scene with Déjà Dead, the international bestseller of which P. D. James wrote: "The strength of her novel is in the insight it gives into the scientific procedures of a murder investigation." Now, with her dazzling new forensic thriller Fatal Voyage, Reichs applies her cutting-edge scientific know-how to the probe of a heartbreaking commercial airliner crash.
Temperance Brennan hears the news on her car radio. An Air TransSouth flight has gone down in the mountains of western North Carolina, taking with it eighty-eight passengers and crew. As a forensic anthropologist and a member of the regional DMORT team, Tempe rushes to the scene to assist in body recovery and identification.
Tempe has seen death many times, working with the medical examiners in North Carolina and Montreal, but never has tragedy struck with such devastation. She finds a field of carnage: torsos in trees, limbs strewn among bursting suitcases and smoldering debris. Many of the dead are members of a university soccer team. Is Tempe's daughter, Katy, among them?
Frantic with worry, Tempe joins colleagues from the FBI, the NTSB, and other agencies to search for explanations. Was the plane brought down by a bomb, an insurance plot, a political assassination, or simple mechanical failure? And what about the prisoner on the plane who was being extradited to Canada? Did someone want him silenced forever?
Even more puzzling for Tempe is a disembodied foot found near the debris field. Tempe's microscopic analysis suggests it could not have belonged to any passenger. Whose foot is it, and where is the rest of the body? And what about the disturbing evidence Tempe discovers in the soil outside a remote mountain enclave? What secrets lie hidden there, and why are certain people eager to stop Tempe's investigation? Is she learning too much? Coming too close?
With help from Montreal detective Andrew Ryan, who has his own sad reason for being at the crash, and from a very special dog named Boyd, Tempe calls upon deep reserves of courage and upon her forensic skill to uncover a shocking, multilayered tale of deceit and depravity.
Written with the riveting authenticity that only world-class forensic anthropologist Kathy Reichs can provide, Fatal Voyage pairs witty, elegant prose with pulse-pounding storytelling in a tour de force worthy of crime writing's new superstar.
From Chapter One
I stared at the woman flying through the trees. Her head was forward, chin raised, arms flung backward like the tiny chrome goddess on the hood of a Rolls Royce. But the tree lady was naked, and her body ended at the waist. Blood-coated leaves and branches imprisoned her lifeless torso.
Lowering my eyes, I looked around. Except for the narrow gravel road on which I was parked, there was nothing but dense forest. The trees were mostly pine, the few hardwoods like wreaths marking the death of summer, their foliage every shade of red, orange, and yellow.
Though it was hot in Charlotte, at this elevation the early October weather was pleasant. But it would soon grow cool. I took a windbreaker from the backseat, stood still, and listened.
Birdsong. Wind. The scurrying of a small animal. Then, in the distance, one man calling to another. A muffled response. Tying the jacket around my waist, I locked the car and set off toward the voices, my feet swishing through dead leaves and pine needles.
Ten yards into the woods I passed a seated figure leaning against a mossy stone, knees flexed to his chest, laptop computer at his side. He was missing both arms, and a small china pitcher protruded from his left temple.
On the computer lay a face, teeth laced with orthodontic wiring, one brow pierced by a delicate gold ring. The eyes were open, the pupils dilated, giving the face an expression of alarm. I felt a tremor beneath my tongue, and quickly moved on.
Within yards I saw a leg, the foot still bound in its hiking boot. The limb had been torn off at the hip, and I wondered if it belonged to the Rolls-Royce torso.
Beyond the leg, two men rested side by side, seat belts fastened, necks mushrooming into red blossoms. One man sat with legs crossed, as if reading a magazine.
I picked my way deeper into the forest, now and then hearing disconnected shouts, carried to me at the wind's whim. Brushing back branches and climbing over rocks and fallen logs, I continued on.
Luggage and pieces of metal lay among the trees. Most suitcases had burst, spewing their contents in random patterns. Clothing, curling irons, and electric shavers were jumbled with containers of hand lotion, shampoo, aftershave, and perfume. One small carry-on had disgorged hundreds of pilfered hotel toiletries. The smell of drugstore products and airplane fuel mingled with the scent of pine and mountain air. And from far off, a hint of smoke.
I was moving through a steep-walled gully whose thick canopy allowed only mottled sunlight to reach the ground. It was cool in the shadows, but sweat dampened my hairline and glued my clothing to my skin. I caught my foot on a backpack and went hurtling forward, tearing my sleeve on a jagged bough truncated by falling debris.
I lay a moment, hands trembling, breath coming in ragged gulps. Though I'd trained myself to hide emotion, I could feel despair rising in me. So much death. Dear God, how many would there be?
Closing my eyes, I centered mentally, then pushed to my feet.
Eons later, I stepped over a rotting log, circled a stand of rhododendron, and, seeming no closer to the distant voices, stopped to get my bearings. The muted wail of a siren told me the rescue operation was gathering somewhere over a ridge to the east. Way to get directions, Brennan.
But there hadn't been time to ask questions. First responders to airline crashes or other disasters are usually well-intentioned, but woefully ill-prepared to deal with mass fatalities. I'd been on my way from Charlotte to Knoxville, nearing the state line, when I'd been asked to get to the scene as quickly as possible. Doubling back on I-40, I'd cut south toward Waynesville, then west through Bryson City, a North Carolina hamlet approximately 175 miles west of Charlotte, 50 miles east of Tennessee, and 50 miles north of Georgia. I'd followed county blacktop to the point where state maintenance ended, then proceeded on gravel to a Forest Service road that snaked up the mountain.
Though the instructions I'd been given had been accurate, I suspected there was a better route, perhaps a small logging trail that allowed a closer approach to the adjacent valley. I debated returning to the car, decided to press on. Perhaps those already at the site had trekked overland, as I was doing. The Forest Service road had looked like it was going nowhere beyond where I'd left the car.
After an exhausting uphill scramble, I grabbed the trunk of a Douglas fir, planted one foot, and heaved myself onto a ridge. Straightening, I stared into the button eyes of Raggedy Ann. The doll was dangling upside down, her dress entangled in the fir's lower branches.
An image of my daughter's Raggedy flashed to mind, and I reached out.
Stop!
I lowered my arm, knowing that every item must be mapped and recorded before removal. Only then could someone claim the sad memento.
From my position on the ridge I had a clear view of what was probably the main crash site. I could see an engine, half buried in dirt and debris, and what looked like pieces of wing flap. A portion of fuselage lay with the bottom peeled back, like a diagram in an instructional manual for model planes. Through the windows I could see seats, some occupied, most empty.
Wreckage and body parts covered the landscape like refuse discarded at a dump. From where I stood, the skin-covered body portions looked starkly pale against the backdrop of forest floor, viscera, and airplane parts. Articles dangled from trees or lay snarled in the leaves and branches. Fabric. Wiring. Sheet metal. Insulation. Molded plastic.
The locals had arrived and were securing the site and checking for survivors. Figures searched among the trees, others stretched tape around the perimeter of the debris field. They wore yellow jackets with Swain County Sheriff's Department printed on back. Still others just wandered or stood in clumps, smoking, talking, or staring aimlessly.
Way off through the trees I noticed the flashing of red, blue, and yellow lights, marking the location of the access route I'd failed to find. In my mind I saw the police cruisers, fire engines, rescue trucks, ambulances, and vehicles of citizen volunteers that would clog that road by tomorrow morning.
The wind shifted and the smell of smoke grew stronger. I turned and saw a thin, black plume curling upward just beyond the next ridge. My stomach tightened, for I was close enough now to detect another odor mingling with the sharp, acrid scent.
Being a forensic anthropologist, it is my job to investigate violent death. I have examined hundreds of fire victims for coroners and medical examiners, and know the smell of charred flesh. One gorge over, people were burning.
I swallowed hard and refocused on the rescue operation. Some who had been inactive were now moving across the site. I watched a sheriff's deputy bend and inspect debris at his feet. He straightened, and an object flashed in his left hand. Another deputy had begun stacking debris.
"Shit!"
I started picking my way downward, clinging to underbrush and zigzagging between trees and boulders to control my balance. The gradient was steep, and a stumble could turn into a headlong plunge.
Ten yards from the bottom I stepped on a sheet of metal that slid and sent me into the air like a snowboarder on a major wipeout. I landed hard and began to half roll, half slide down the slope, bringing with me an avalanche of pebbles, branches, leaves, and pine cones.
To stop my fall, I grabbed for a handhold, skinning my palms and tearing my nails before my left hand struck something solid and my fingers closed around it. My wrist jerked painfully as it took the weight of my body, breaking my downward momentum. I hung there a moment, then rolled onto my side, pulled with both hands, and scooched myself to a sitting position. Never easing my grasp, I looked up.
The object I clutched was a long metal bar, angling skyward from a rock at my hip to a truncated tree a yard upslope. I planted my feet, tested for traction, and worked my way to a standing position. Wiping bleeding hands on my pants, I retied my jacket and continued downward to level ground.
At the bottom, I quickened my pace. Though my terra felt far from firma, at least gravity was now on my side. At the cordoned-off area, I lifted the tape and ducked under.
"Whoa, lady. Not so fast."
I stopped and turned. The man who had spoken wore a Swain County Sheriff's Department jacket.
"I'm with DMORT."
"What the hell is DMORT?" Gruff.
"Is the sheriff on site?"
"Who's asking?" The deputy's face was rigid, his mouth compressed into a hard, tight line. An orange hunting cap rested low over his eyes.
"Dr. Temperance Brennan."
"We ain't gonna need no doctor here."
"I'll be identifying the victims."
"Got proof?" |
